I wrote this post along with “Advertorial Museum” more than a year ago at AAM 2015 in Atlanta. I left both articles as password protected, sharing them
Ask for help.
We are kind, thorough and ready when you are. You just need to ask.
If we think that advertorial in a museum is not a good thing, should we seek to defend a museum’s content from undue influence by private or
As the museum world undergoes its digital transformation, it might look to the music world, a field in a relatively advanced stage of digitization, for applicable lessons.
What are museums for? Are they envelope pushers? Receptacles for beautiful art? Legitimizers for criminals or perverts?
The National Museum of Women in the Arts put street-level exhibition advertising signage on the building for the first time.
I asked my 11-year-old son if he thought zoos were good or bad. His answer was immediate and unequivocal: “Bad,” he said, “I don’t like the idea
What chance does the museum world have with millennials? Are millennials and museums really oil and water? Let’s hear the story from the horse’s mouth.
With Museum Camp (now in its second year), Nina Simon is trying to find a way to infect our thinking long enough for it to dent our
I flew out to California for Museum Camp last week on the power of a hunch—If Nina Simon was doing it, then I would learn a lot.
Mascots—those lovable anthropomorphized characters who push cereal, chocolate milk, and tires—are more than just cute tools for marketing to children.